Post by Zetsumei Myû on Jun 12, 2009 22:53:03 GMT -5
[/center]This Is ZETSUMEI MYÛ
i am indestructible
"never wanted to dance with nobody but you"
You Will Remember This Moment
as you dig into me
name: Hinote, or Blue
age: Fourteen
contact: PM
rp experience: 5-6 years
where'd you find us? Proboards Support
other characters: n/aAnd From Your Smile Now
it seems as if you liked it
name: Zetsumei Myû
alias: Tetsu (peace)
age: Twenty-one years
gender: Female
sexual orientation: Bisexual
rank: Jounin (S-rank)
You'd Better Cherish This Moment
as you dig into me[/center]
play by: Lucy from Elfen Lied
height: 5'6
weight: 106 lbs
tattoos and piercings: The tattoo for peace (tetsu) is tattooed on her right hip.
extras: n/a
appearance:
→ The first thing you notice about Myû are her eyes. That is merely because human beings instinctively look into the eyes of people they meet, because the eyes are, theoretically, windows to the soul. They tell you their intentions, morals, and ethics; who they are, where they stand, if they are confident or have low self-esteem. However, when you look Myû in the eyes, that is not the case. Her eyes are blank and emotionless. It seems no matter how hard you look and how hard you try, you cannot receive emotion from them, not even the slightest. But you can, and do, notice the colour. Her eyes are a beautiful, almost exotic pinkish-red. The colour is similar to oxygenated blood: blood that is fresh and not yet dried, with a tint of pink. You are astonished to see her pupils suddenly expand – yes, expand – to cover her whole eye. Now, her eyes are entirely black; she blinks, and her eyes are back to normal. Is that the Kurogan?
→ After finding absolutely no hint of emotion in her eyes – and it seems to you like she refuses to give you any even when you keep looking – you must look at her face as a whole. The shape of her face gives hints to a noble upbringing; high cheekbones, slender, slightly thin, with a slightly pointed chin. No blemishes or scars whatsoever mar her skin, which is extremely pale with almost no pigment or tan. Her face is framed with reddish-pink hair, which is almost the same colour as her eyes, but darker and with a tad more pink. Her hair is platinum straight and only grows up to her shoulders, the bangs reaching her eyes. Usually her hair is carefully brushed back, but at times her bangs will cover one of her eyes, usually the left one.
→ If you were to get her to show you her entire right hip, you would notice that she has a tattoo. It is the kanji for peace, “tetsu”, which is a symbol of her being a member of the Teishuku no Kenpai. Specifically, the member affiliated with “peace” or tranquility. As such, she is referred to as “Tetsu”.
→ Myû is skinny; there is very little fat on her bones, and if you were to get her naked, you have the potential of learning the human skeletal structure from her. She has toned arms and muscles, yet not too much, considering that she is a kunoichi meant for speed and agility, and not brute strength. In fact, compared to most of the Teishuku members, she is physically weak; but there is the undisputed fact and advantage that she is, by far, one of the fastest and most agile, if not the fastest and most agile, member of the Teishuku no Kenpai. This is evident when you see her move, quickly, almost a blur at times, and sometimes disappearing from view completely.
→ Ah, how she moves. She moves with grace that is usually only attainable by the best ballerinas; she moves lightly and quickly, sometimes only her toes touching the ground, sometimes a blur to the naked eye. Yet you know, and anyone watching her knows, that she is confident in her abilities, and that that hand, casually reaching up to brush some dirt from her shirt, could as easily and as gracefully hold a kunai, which, no doubt, would be aimed at you and ready to kill. Her movements are precise and elegant, and all of the movements she makes, so it seems, has a purpose; she does not fidget and twitch. In fact she looks quite calm now, you realize, and if her face and eyes were to depict any emotion at that moment, you believe she would appear calm and totally at ease.
→ Her clothes – now you bring yourself to study them. She wears only black, you realize; a pair of black pants, slightly loose yet somewhat hugging her legs, hangs low on her hips, and a black, tight, long-sleeved shirt has a hem that ends where her pants start; no skin is exposed. Quite abruptly, Myû reaches up for something, and your attention is diverted to her right arm; for on her boney wrist is a silver, chain-link bracelet. Travelling from her wrist to her fingers, there are two rings, one on her middle finger and the other on the index finger of her right hand. Something about the way she moves tells you that there is something dangerous about those rings – and you would be right. Those rings are no ordinary rings; in fact they are kakute, with three prongs on the bottom-side of each ring. These are coated with poison and, when they break the skin, they will become fatal. You therefore decide that Myû must shake hands with her left hand.
→ Her clothes, and then you are suddenly reminded of her curves – her clothes don’t show them off very much, but you reason that she must have some; after all, she is a young woman at the age of twenty-one, and although she might not have a very large chest, she must have some curves, yes? Well, you might be correct, for she does, in fact, have some, although they aren’t very prominent; they’re in all the right places, of course, and she does have a rather hourglass figure, but strangely enough the fact that her chest lacks slightly and the fact that she has curves that don’t show match with her boney body and small frame.
→ You realize she’s grasped a white cloak; or a robe. “Robe” seems more fitting. She puts her arms in the holes, and you notice that they hang off of her arms very much, like kimono. Except it isn’t a kimono, it’s a robe, and it ties close in front of her chest. The back, which you, at first, expected to have the kanji of “peace”, is plain and utterly unadorned. There is a katana strapped to her back now, diagonally, so that the tip rests at her right shoulder blade and the hilt rests at her left hip. Something tells you that that katana is special – and indeed, it is the one and only Raiken, and in her possession it is deadly. It seems she’s swapped her long-sleeved shirt for a tight tank top with wide straps that hide her tattoos, and on her arms she now has fingerless gloves up to her elbows. She still wears the kakute, and an additional pinky ring, and she still has her steel-toed black boots.
→ Oh, but there’s a fatal change to her now. If you got her to remove her cloak, you would see that attached to her right forearm is an odd mechanism, to which is attached a dagger – a “hidden blade”. The mechanism has a clear string attached to the ring on her pinky finger, and if she moves her finger in just the right way, the blade will shoot out in a deadly and quick manner – perfect for assassinations and quick, silent kills.
→ She seems to like black. Not that she doesn’t look good in black – quite the contrary, actually. She actually looks very good in black, which is probably why she prefers it. Either that or she can’t seem to find the heart to wear any other clothes. It seems that she dislikes wearing any headbands, or anything, really, to show that she is a part of Konohagakure. Except maybe that katana - it has some sort of insignia carved into the butt of the hilt - the Zetsumei clan! That's a Konohagakure clan, right?
→ Abruptly she fixes you with her blank, pinkish-red gaze again, and asks, “Ano, do you need something?” Her voice is soft, and, it seems, betrays a tad of emotion; a little bit of concern, you think? Or maybe it’s your ears playing tricks on you. Her voice, like her face, gives hints of noble upbringing; utterly polite. Yet somehow, her politeness does not imply that she is of lower rank than you in any way; in fact, it implies that she and you are of the same rank; or perhaps that she is higher. It’s hard to tell, with her emotionless yet unquestionably beautiful face.
→ When you do not answer for quite some time, she calmly turns – you blink and suddenly she is gone. You look around, trying to find out where she is, yet to no avail; there is something alluring about her, and undoubtedly mysterious and yet dangerous all at the same time.
I Won't Stand Another Minute
of your questioning me[/center]
likes:
- lightning
- thunderstorms
- fire
- rain
- green tea
- reading
- quietness
- peacefulness
- solitude
- running
- crossdressing (will occasionally wear mens' clothing)
dislikes:
- loud noises
- loud people
- disrespectful people
- being physcially touched
- water
- spicy food
- pointless fights
- pointless confrontations
- being poked
- sweet things (pastries, chocolates, candy, sugar, etc.)
habits:
- inclining her head when she's curious
- speaking in a formal manner
- going out at night when there's a thunderstorm
- not making eye contact when she's extremely angry
fears:
- water
- drowning
- those around her getting hurt
- being forced to change into something that she is not
personality:
→ Myû is a rather interesting individual once you get to know her. That being: she is extremely intelligent and perceptive, the type of person most people tend to favour. That is, until they learn of her quiet nature. She is a very silent person, only speaking when it is absolutely necessary. She would prefer to read a book or to sit back and relax in silence than to indulge in conversation; however, if one manages to get Myû to open her mouth and speak, one would find that Myû makes for rather interesting conversation. She speaks in a polite manner, albeit bluntly. This young woman does not beat around the bush and instead goes right to the subject. In some cases, this might be considered tactful – and in others, not so much.
→ She reads people easily despite the fact that she herself is rather emotionless. Her face is a blank mask, and her voice is, usually, monotonous, although at times a hint of sentiment might be heard within it. She does not usually allow herself to feel, and when she does show emotion, she is either inexplicably surprised, or she shows it freely. Needless to say, Myû is not one to throw her emotions and feelings around; she is cautious and guarded. Some people might say that she is stuck up, introverted, and lacks empathy, although that is the furthest from the truth.
→ But there are reasons to her personality. Her blankness is a product of neglect – as a child her parents never took care of her and as such she was a rather jealous child; jealous of other children that received the attention she longed for but never got. Therefore, she tries to show as little emotion as possible in order to keep attention away from herself – you might think that a child of neglect might want attention, but not Myû.
→ Her impassiveness is a way for her to hide from the world. It is her mask, her protective shell: insults bounce off of her uselessly and are met with a blank stare. Harsh words are ultimately ignored. She will make no comebacks and, at times, might act as a punch bag for others only to suddenly and quite unexpectedly electrocute them, or suddenly ask something in a soft voice. Some think that because she speaks in a polite manner, she makes herself lower in front of others, but this is entirely not the case. It is simply courteous. When she speaks of others, she adds honorifics and all. Occasionally she might replace a certain honorific, like “-sama” with “-san”, in order to make herself less noticeable in public.
→ Underneath her emotionless exterior, you might find a rather sensitive young woman who has no desire to get hurt by others, which is why she distances herself. She seems aloof only because she desires to only have a close relationship with those she can truly trust, those she knows will not betray her. She is extremely wary and rather choosy about who receives her trust and who receives blank stares. Around those she trusts, she shows a bit of emotion; occasionally, she might frown, or smile, or, even more rarely, laugh.
→ Myû will, indeed, show emotion when she senses it is needed. However, she also tends to be somewhat forceful about these emotions as well; she is afraid of losing the people around her, which is why she keeps her emotions locked up in a tight bottle. But when she lets them out – she tends to be slightly shy about them and also forceful at the same time. Despite her blankness, Myû is quite the friend to have; if you can manage to gain her trust, that is. She will protect her friends and those she loves with her life, and is capable of making herself look quite menacing if she so desires – and being an S-rank jounin is always an advantage.
→ It is known that Myû does not get angry easily. However, when, on the off-chance that she does get angry, she becomes rather violent and almost a split-personality from the normally calm and blank person she shows. She is prone to throwing things, yelling, and cursing. When angered, she has little to no mercy for her enemies and opponents, cutting down everything in her path except friends and family. Her “split-personality” might also influence her regular, polite, blunt, and quiet self, as at times she can be rather stubborn, especially about morals and ethics.
→ Because of her blank mask, most people think that she has absolutely no idea about what is going on around her. But how can an intelligent, calculating, analytical being such as Myû not know what is going on? No, despite her blank, almost bored expression, the redhead is very attentive as to what is going on around her. She has an odd penchant for being able to tell what a person is feeling when listening to their voice; for example, if someone is lying, she is sure to know it. She also reads the body language and facial expressions of others outstandingly well, sometimes knowing people more than they know themselves. She is very wary and observant. Her face and eyes, blank and emotionless, fool everyone into believing she is not aware, not listening, not careful – when in fact the opposite is true. She is always filtering sounds, smells, tastes, glances, people and memorizing and trying to find anything suspicious. Because of this, she is usually one of the first to react when trouble strikes.
→ Myû has the interesting ability to shut out voices. She listens, of course, but then suddenly she could become bored of you and simply shut you out. When something annoys her, she either ignores it or walks away from the problem. Either that, or she tries to fix it, depending on what the problem is. Myû does not get angered easily (if at all) although she will get irritated at times.
→ Like most Zetsumei, Myû loves thunderstorms and lightning. During a thunderstorm, you can usually find Myû standing or lying down somewhere in the midst of it, either collecting lightning or simply watching and listening. She likes rain, likes the feel of it on her skin and likes the sound of it as it falls to the ground. However, ironically, she hates water – in fact, she can’t swim.
→ She likes peacefulness and silence. Her favourite times are when everything is silent and peaceful. Sometimes you might even find her meditating in complete silence.
→ She does not like disrespectful, loud people. They are extremely irritating, in her opinion, and destroy her beautiful silence and peacefulness. Tranquility can only be had in silence – so why yell? Why speak in high-pitched, loud voices? Myû could probably develop a whole philosophy on silence and tranquility. Or maybe a religion would be better-suited to her tastes.
→ She is a rather complex character – no one truly knows if the fake emotion she shows is true or fake. No one knows if the true emotion she shows is true or fake. It is hard to judge her, because she does not allow herself to be judged; she does not use anyone and she does not allow herself to be used. Perhaps if she hadn’t been neglected and prejudiced against, she would have been a happy, if not still quiet, person; but no, instead she is the product of neglect and prejudice, and it has made her blank, emotionless, and mute.
You Hear Me, Bitch, Stop
the interrogation's over[/center]
equipment: The Raiken, kakute, hidden blade
fighting style: Mostly Ninjutsu and weaponry.
releases: Raiton [lightning] (main); Katon [fire] (secondary)
kekkei genkai: Click for clan info.
jutsu:
Custom Jutsu[/b]*
* = custom jutsu
orange = raiton
red = katon
indianred = non-specific
Basic Jutsu (11)
Suimen Hokou no Gyou (Art of Water Technique)
→ A technique that enables the user to walk on the surface of water by concentrating chakra into the feet. It is also used for training; it allows an individual to learn how to control the release of chakra.
Kanashibari no Jutsu (Body Bind Technique)
→ Kanashibari no Jutsu is an advanced Ninjutsu technique used to temporarily bind an individual or animal. With the person frozen in place, the ninja can either take the opportunity to attack or to retreat.
Kawarimi no Jutsu (Body Switch Technique)
→ While being attacked, or in the process of being attacked, a ninja will substitute their body with another nearby object. The ninja can then hide and watch their dumbfounded opponent from a distance. Replacements are commonly used with pieces of wood, animals, or even other people.
Kai (Cancel)
→ Kai is a Ninjutsu technique which allows the ninja to avoid the effects of a Genjutsu illusion. After forming the needed handseals, the Genjutsu technique will not affect the ninja. The ninja can also use the technique on another individual who was unable to avoid the attack. After forming the needed hand seals, the user utters "Kai" and the genjutsu is dispelled.
Bunshin no Jutsu (Clone Technique)
→ This jutsu creates a simple copy of the original user to be used for distraction or divertion. If the clone comes into contact with an enemy, it will immediately turn into a cloud of smoke.
Shunshin no Jutsu (Instantaneous Body Technique)
→ The ninja will appear and disappear in an instant, allowing them to retreat or attack suddenly. To facilitate the movement, the ninja will often use nearby elements such as mist, sand or leaves to mask their appearance or disappearance.
Kakuremino no Jutsu (Magic Cloak of Invisibility Technique)
→ With this jutsu one uses a cloak or piece of cloth to make oneself blend in with the background, rendering oneself invisible.
Nawanuke no Jutsu (Rope Untying Technique)
→ It is used when a ninja is in need of removing themselves from a certain restraint, such as a rope. The chakra from the user loosens the restraint, freeing the ninja held captive.
Henge no Jutsu (Transformation Technique)
→ This technique allows the ninja to transform into a specific person or object. It is very useful to disguise yourself or to trick an opponent.
Kinobori (Tree Climbing)
→ By focusing chakra into the feet and keeping it balanced, the user can walk up against vertical objects and cling to its surface.
Kabenobori no Jutsu (Wall Climbing Technique)
→ By focusing chakra into the feet and keeping it balanced, the user can walk up against vertical objects and cling to its surface.
Ninjutsu (24)
Raiton: Denka Dendou no Jutsu (Lightning: Electric Charge Activation Technique)*
→ This jutsu activates the second phase of the Zetsumei Kekki-Genki. It stays activated until the user says “Kai”, the cancel technique, after which the lightning and electricity collected in the body disperses.
Raiton: Eki Dendou no Jutsu (Lightning: Liquid Electricity Technique)*
→ This jutsu causes lightning to flow from the fingertips and hands of the user. The lightning can be manipulated into anything: whips, knives, swords. The damage depends on what the lightning is used for. This jutsu does not require hand seals or vocalization. Damage ranges from paralyzing the opponent, to wounds that cut the skin, to electrical burns.
Raiton: Daichi Higyou no Jutsu (Lightning: Ground Strike Technique)*
→ After performing the needed hand seals, the ninja must punch the ground with one of their hands. Electricity will surge forward in great spikes, in a straight direction, whichever direction the user is facing. If hit, the opponent may become severely damaged. Serious electrical burns are most common; however, the opponent may be paralyzed as well.
Raiton: Hankei Bakuha no Jutsu (Lightning: Radius Explosion Technique)*
→ After performing the needed hand seals, the user must punch the ground. This is similar to the Daichi Higyou, except the hand seals are different and the result is different as well. Lightning surges out around the user in a radius, exploding as far as need be. Damage ranges from severe electrical burns to the opponent being paralyzed. The opponent may be knocked out from the blast.
Raiton: Shouheki no Jutsu (Lightning: Barrier Technique)*
→ After performing the needed hand seals, this ninjutsu causes a barrier of electricity to rise around the user, protecting him or her from harm. However, the user cannot move outside of the dome. This jutsu requires chakra or electricity to keep up. The barrier may cause those who come into physical contact with the barrier to recieve electrical burns.
Raiton: Boruto no Jutsu (Lightning: Bolt Technique)*
→ After performing the needed hand seals, lightning will streak down from the sky, toward the opponent. The user must be looking at the opponent or else the bolt will be aimless. The opponent will be paralyzed if hit. Damage will range from electrical burns to open wounds.
Raiton: Yari no Jutsu (Lightning: Electric Spear Technique)*
→ After performing the needed hand seals, this ninjutsu causes a bolt of lightning to form in the user’s hand. The bolt can shot at the opponent or wielded as a sword. If hit, the opponent will become paralyzed. The bolt may cause electrical burns depending on the intensity and strength.
Raiton: Tatsumaki no Jutsu (Lightning: Tornado Technique)*
→ After performing the needed hand seals, the ninja must start running around the opponent in tight, fast circles, getting faster and faster. Soon, the environment will blur for the opponent, until only the ninja is visible; the momentum of the spin will send the opponent off-balance, after which the ninja must leap into the air, and appear above the opponent, after which numerous lightning bolts will begin raining down upon the opponent. Damage ranges from paralyzation to severe electrical burns, to becoming knocked out.
Raiton: Hara Dendou no Jutsu (Lightning: Electric Field Technique)*
→ After performing the needed hand seals, lightning will mold into the ground, spreading out like an invisible force field. By the use of another hand seal, the electric force field will explode in the ground, going upwards and surging inwards toward the user. Damage ranges from severe electrical burns, to being knocked out.
Raiton: Baindo Dendou no Jutsu (Lightning: Electric Bind Technique)*
→ After performing the needed hand seals, lightning will shoot from the sky to bind the opponents limbs (legs, arms). They may be bond together, to the ground, or even to trees; any stable object, really. Damage ranges from becoming paralyzed to minor electrical burns.
Raiton: Toruneedo Raitoning (Lightning: Tornado Lightning)
Using some form of hand seals, the user can generate lightning from their palms, which they can whip around to destroy anything in their surroundings.
Raiton: Rairyuu no Tatsumaki (Lightning: Lightning Dragon Tornado)
→ The user will draw lightning down upon their body. The current will be contained within and around the user’s form. The user will then begin to spin in place, forming a whirling vortex of wind and electricity. The vortex will take on the form of a dragon and strike out against an opponent. Even if the attack doesn’t directly connect with the foe, the lightning can jump from the vortex to hit a nearby target.
Ikadzuchi no Kiba (Lightning Bolt Fang)
→ The user will send a plume of an electrified chakra-like essence into the clouds above to activate bolts of lightning to rain down upon a target.
Seiryoku Raigeki (Force Lightning)
→ An aggressive and altogether cruel and unrestricted manifestation of the Raiton element. Seiryoku Raigeki is a mass channeling of molded chakra through the user’s limbs to the point that it begins to arc and spread itself out in uncontrolled busts from the users palms or fingertips and can be executed using either a single hand or both hands at once. The technique itself, due to its uncontrolled and wild nature, often branches out at range into smaller forks of the element, thus granting it the blessing of enhanced range and radius, although this limits itself to what is in front of the user, as the electricity itself grounds itself at the very instance it receives the opportunity. Nevertheless, it is an effective means of driving back an enemy; or simply torturing them, due to the unbearable physical agony the technique often inflicts upon its victims. As a final note, thanks to its raw creation when used, the technique effectively does not require seals, merely the molding and directing of one’s chakra in a given direction.
Katon: Bakuha Kei no Jutsu (Fire: Exploding Whip Technique)
After performing the needed hand-seals, chakra is gathered into the palms of the user, after which the chakra becomes fire. It spirals out of the users’ hands in the form of swirling fire-whips, which the user can use to destroy and attack enemies and objects. Damage ranges from minor to severe burns.
Katon: Kasumi Enbu no Jutsu (Fire: Mist Waltz Technique)
→ The ninja does a string of hand seals and then proceeds to blow a large combustible mist at the target. When the mist hits flame, it will ignite in an explosion of fire.
Katon: Goukakyuu no Jutsu (Fire: Great Fireball Technique)
→ The ninja does the necessary hand seals, draws chakra from their mouth into their chest, and then immediately exhales it. They then blow a stream of fire, which erupts into a large sphere of flames. To better manage the flames, the ninja will bring their hand to their mouth to control it.
Katon: Karyuu Endan (Fire: Fire Dragon Flame Projectile)
→ The ninja does a string of hand seals and the proceeds to blow a large jet of fire from their mouth.
Katon: Haisekishou (Fire: Burning Ash Accumulation)
→ After forming the needed hand seals, the user will expel ash from their mouth. This large cloud will begin to envelope a foe and when the user clicks their teeth, the cloud will ignite in an explosion.
Fire Spinning - Baptismal Fire[/b]
→ The art of Fire spinning begins with the most basic of ideas: mastering complete manipulation over movements of the flame itself. Baptismal Fire is a simple iteration of Fire Spinning and involves the user producing the needed flame by focusing a core collection of combustible chakra into the palm of their hand and adding to it their element to give it spark and life. Further, they manipulate their own aura of chakra to direct the flame into a tailed circle around them to collect inertial energies before otherwise directing it towards the opponent in the form of a streaming fireball. Constant motion to displace one’s energies is needed, with the user often utilizing the motion of their arms to manipulate the chakra into the needed currents to allow the flame proper guidance towards the target. Veteran practitioners of this jutsu are actually able to direct the flame to track the opponent down when in motion, but it takes extensive practice and concentration to do it. Every so often a practitioner comes along so learned in the art that they are actually able to sustain multiple flames in the previously mentioned use, eventually overwhelming the opponent with a barrage of these flames.
Kao Utsushi no Jutsu (Face Copy Technique)
→ This technique allows the user to take on the body of their target. They must remain close to the one they want to copy for a short period of time. Their body will then shape and contort to resemble the target. The copy is said to be so good that even family members of the target cannot tell they are a fake. The user will even take on the smell of the original. Unfortunately, the user does not copy the targets jutsu, leaving them with only their original skills. Practitioners of this jutsu are also skilled in quickly taking on the mannerisms of the original person and playing up the character traits of their target. Through a regular Henge in combination, they can copy the clothing of the opponent. Their appearance will eventually change back to their original form after several days.
Soushuuha (Manipulate Advancing Blades)[/b]
→ This technique allows a shinobi to hover multiple kunai in the air while they approach a target. The technique allows a ninja to unleash a torrent of kunai, shuriken, or other weapons much more quickly than if each was thrown individually.
Kage Bunshin no Jutsu (Shadow Clone Technique)
→ The Kage Bunshin distributes the ninja’s chakra evenly among the clones and creates a real copy with form and substance. The clone itself can also utilize any jutsu the original ninja knows. When the clone finally disperses, any new knowledge it has gained is passed back to the original ninja and any additional clones. Upon impact, the clone can be dispersed.
Bunshin Bakuha - Shadow Clone Explosion[/b]
→ At first glance the clone appears to be a normal tangible Bunshin, but the user can detonate the clone at any time to form a very large explosion.
Genjutsu (4)
Komoriuta Dendou (Electric Lullaby)*
→ First of all, the ninja must have a forefinger touching the temple of the victim. After this, the jutsu must be uttered. A zap of electricity will surge from the finger and into the ninja's head, causing them to fall asleep. The jutsu may last for up to eight hours.
Raiken Senkou (Raiken Flash)*
→ This technique requires the Raiken and the utterance of the genjutsu. After this, the opponent will have visions of the various Raiken users attacking them with the Raiken, one of which is the true user. If the opponent manages to block the right sword, he will be undamaged. If he blocks the wrong one, however, he will get stabbed.
Kokohi no Jutsu (False Place Technique)
→ Kokohi no Jutsu is a simple Genjutsu technique which changes the appearance of a nearby object.
Jinmon no Jutsu (Interrogation Technique)
→ Jinmon no Jutsu is an interrogation Genjutsu used to extract information from an opponent. By placing their hand upon the target’s head, they will induce a sensory spell that will force them to answer truthfully to any question. Only an incredibly strong will and knowledge of Genjutsu will allow one to resist its effects.
Medic-Nin Jutsu (5)
Raiton: Chiyu Dendou no Jutsu (Lightning: Electric Heal Technique)*
→ The user is able to heal either oneself or someone else using electricity and lightning to knit together the skin and cells. This is a powerful technique and allows the user to heal both minor and major wounds. This technique can also heal bone fractures. This jutsu does not need a vocalization, nor does it need hand seals.
Chakra no Mesu (Chakra Scalpel)
→ After forming the needed hand seals, the ninja will focus chakra to their hands. When their charged hands reach the body of their target, they can extend the chakra internally into the target’s body to cut and neatly slice their muscles and blood vessels without harming the surface skin. This technique can be used in battle, but because of its hectic nature, the fine precision required for an instant kill is not feasible. Damage can still be done to the vital organs, but the technique should be used carefully in battle.
Shikon no Jutsu (Dead Soul Technique)
→ Shikon no Jutsu is a Ninjutsu technique that uses a dead body to create the illusion of another living person. The ninja can either animate a normal dead person or alter the appearance of the dead person to resemble another. To do the second version, the ninja first changes the appearance of the dead body to resemble the person to be portrayed. Then using this jutsu, they make the heart beat again, allowing them to control the actions of the dead body.
Ranshinshou (Chaotic Mental Collision)
→ Manipulating the chakra in their hand, the user can create an electric field to disrupt the target’s nervous system. Because the brain and body communicate using electrical impulses, the user can use the field to disrupt the target’s ability to move. The result is the commands to move one body part being relayed to another, making it near impossible for the opponent to move unless they have high skill and understanding of the body or with time.
Inyu Shometsu - Secret Healing Injury Destruction
→ Focusing their chakra to an injured area, the user can begin the cell creation process the moment the area becomes injured.
Total: 44
- - - raiton: 17
- - - katon: 6
- - - miscellaneous: 21[/blockquote]
miscellaneous items: Soldier pills, smoke bombs[/size]
I Can't Handle The Feeling
of your pestering me
of your pestering me
village: Konohagakure no Sato
family: Zetsumei Hana (mother); Zetsumei Zuiichi (father)
companions: The Teishuku no Kenpai
history:
Years 0-8 Not a Boy[/u] Fourth Phase Development
Myû was born, well, female, of course. Oh, is that surprising for you? I'm sorry. Well, she was born to Zetsumei Hana and Zuiichi; Zuiichi was her father, a Zetsumei Clan member, and her mother was Hana, who had married-in. Zuiichi and Hana had been hoping for a boy, as they were strict with the Zetsumei beliefs that girls should not become shinobi. Not only that, they also wanted to reform the second phase and the Second Branch of the Zetsumei Clan. Alas, Myû was a girl, and therefore they named her Myû almost out of spite.
→ She was neglected. She grew jealous of the other children; they were coddled and loved by their parents. They got gifts, yet Myû got nothing. She was utterly rejected, and probably even hated by her parents. She began to...not care. Ignore them, too, although she was always bitterly jealous of the other children.
→ At the age of seven, she noticed other boys and girls being enrolled in the Academy to become shinobi. Of course little Myû wanted to be a kunoichi, so she set off to ask her parents if she could. They'd exchanged a glance, and then said "no". That was final - at least for a year. At the age of eight, Myû enrolled herself into the Academy.
Years 8-11 First Phase Development
Soon after enrolling, Myû activated the first phase of her clan's kekki-genki. When she told her parents that, they made absolutely no move to congratulate her at all. They seemed to be spiteful.
→ Myû ignored them and continued on in her training. She learned the jutsu they gave her quickly, and she was more and more effective due to her clan's kekki-genki. At the age of ten, she passed the genin exams and became a genin.
Years 11-14 Second Phase Development
She was put in a team of two other genin, and a jounin sensei. Her sensei was Kimiharu Todoroku, and her two teammates were Tamaki Haru and Rekeshi Karin. Todoroku utterly neglected her, if only because she was a Zetsumei, and that was enough of a reason for him. Karin and Haru hated her for no apparent reason at all.
→ Myû began to grew more and more distant from everyone. Her sensei refused to teach her, and her teammates hated her. She, however, taught herself. She would sneak off to her parents' study and look in the old Zetsumei books there, trying to learn the clan jutsu.
→ At the age of thirteen, the second phase of her clan's kekki-genki activated itself, and suddenly Myû was able to absorb lightning, Coincidentally, it activated during a mission with Todoroku, Haru, and Karin, during a thunderstorm. Myû absorbed the lightning and proceeded to totally and utterly electrocute their target. At age fourteen, she passed the chuunin exams with flying colours – or rather, flying electrical charges.
Years 15-18 Training with Akineru
The years fifteen through eighteen passed quickly for Myû. She was a chuunin, and had no sensei. So, naturally, she wanted someone to help her train in speed and lightning. She found the perfect sensei – Nadurama Akineru. The only problem was that she lived in Takiagakure; so Myû had to migrate to Takiagakure.
→ Akineru trained her in speed. She trained her in Raiton jutsu, too. In fact, Myû quickly became the fastest chuunin in Taki, and even in Konoha. Her knowledge of Raiton jutsu was expanding quickly, as well.
→ Her new sensei understood her. She never pressed on what was happening in Myû's life, which the chuunin greatly appreciated. It was "peaceful", so to speak, during the time that she trained with Akineru. But, she always felt somehow...empty.
→ She was the Zetsumei's prodigy, of course. However, the clan would not dare to admit it, because she was female. Not only was she one of the fastest and one of the most skilled Zetsumei clan members, she was possibly the fastest and most skilled Zetsumei. And she had also obtained the second phase.
→ At the age of sixteen, she discovered the third phase of the Zetsumei clan. She continued training with Akineru after that; and at the age of eighteen, she left to embark to Konoha – only to discover, that Konoha was ablaze and near-destroyed.
Years 19-21
She joined in the fray of battle, literally. She helped rebuild Konoha and, soon after returning, became a jounin. Although there was still prejudice against her because of her clan, and because she had left to pursue training, she was still a jounin of Konoha. At the age of nineteen, she was considered an S-rank shinobi.
→ When Madara attacked, Myû was one of the many shinobi helping to defend Konoha. She was also one of the shinobi to attend Naruto’s funeral. By this point she was considered an outcast by her own clan, which she blatantly ignored. The Zetsumei were even more angered at the fact that Myû dared to use and wield the precious Raiken – but made no move to disrupt her. Evidently, they were afraid.
→ Once Konoha was rebuilt, she considered joining ANBU. In fact – she did join ANBU, for a brief period of time, but was later removed for no apparent reason. She was doing fine with missions, completing them splendidly; assassinations were flawless. There was only one explanation: She was a Zetsumei, and her family had managed to get her kicked out.
→ She settled for basic S-rank missions. Soon after getting kicked out of ANBU, she activated and discovered the Kurogan. It was a huge achievement for her which promptly pushed her farther away from her clansmen and started to make her a feared figure in Konoha. Nonetheless, she spent many times a day attempting to master the Kurogan, and eventually did.
→ One day during a mission, she was approached by a young blonde man only known as Meiyou. He introduced himself as such and Myû, not seeing him as a threat as of yet, reciprocated with her own name. She was surprised to discover that the man was the leader of the Teishuku no Kenpai, an organization that rose in order to defeat the Seken no Zaigou. Apparently, he was in need of members; after deliberate thinking and analyzing, Myû decided to join the secret organization, as “Tetsu”, peace.
Years 22-n[/b] xxx
Not twenty-two yet. This will be developed ICly.[/blockquote]
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